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Contemporary designers always love to use petty bourgeoisie to beautify the punk, its imagination for a "good time in the past," but the punk years so bright? When McLaren and Vivienne Westwood opened the shop on the King of London in the 1970s, a "rebel" series of T-shirts was sold for just a few pounds. Westwood cut the T-shirt as she cut a pillow, and then printed images such as Nazi million words, pedophiles and rapists. In 1975, a clerk was arrested for wearing a T-shirt printed with comrades, Tom of Finland. In the same period the New York punk landmark CBGB club, avant-garde girl painted black lipstick, with cartoon cat scarf to match the old gas to only your grandmother will wear the meat color night skirt - fashionable? Yes. Sloppy? very much.
This is the real punk fashion - rebellious, angry, messy, dirty, dirty ... ... anyway, no one with "beautiful" to describe it. In contrast, the designers are only in the form of the punk to retain the violence of aesthetics, in the spirit of the correct attitude, to purify its hostility, to get rid of those disturbing content, such as political elements - and strong politics The idea has always been a major feature of the punk, less it, "punk" is just a four word.
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